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The Blog

Imoria Pictures: A Year of Belief, Grit, and Making the Impossible

  • Writer: Joey Lever
    Joey Lever
  • Jan 5
  • 4 min read

2025 was not a year of shortcuts.


It was a year of showing up when it would have been easier not to. A year of long nights, unfinished sleep, rain-soaked shoots, passion projects with no safety net, and that quiet, stubborn belief that stories still matter, even when the odds are stacked against you.


At Imoria Pictures, everything we make comes from that place. Not algorithms. Not trends. Just the need to tell stories that feel honest, emotional, and a little bit magical.


This year, three projects defined that journey.




I Just Wanna Be a Superhero


A decade of belief, captured on film


In 2014, Spider-Man: Lost Cause started as a no-budget fan film made by people who simply loved the character and believed they could pull something special off.


None of us knew what would follow.


Over the next decade, that little project grew into one of the most watched fan films in the world, reaching millions and building a community that still exists today. In 2025, we finally told that story properly with I Just Wanna Be a Superhero.


The response genuinely floored us.


The documentary won Midlands Movies 2025 and Indie Film Fest, was selected by three festivals out of six entered, and recently passed 70,000 views on YouTube. But the numbers were never the point.


What mattered was hearing from people who saw themselves in it. People who remembered what it felt like to create something purely because they loved it.


Featuring heartfelt stories, never-before-seen behind-the-scenes footage, and raw reflections from the original team, the film became less about Spider-Man and more about friendship, chaos, growth, and the strange magic of making something together with no guarantee it would work.


It reminded me why I started doing this in the first place.



NEVER

Returning to live action after five years


I hadn’t directed a live-action film for myself in nearly five years.


So stepping back onto set for NEVER was emotional in ways I didn’t expect.


Set in 1900s London, the film follows a local officer investigating the unexplained disappearance of a child. What begins as a grounded investigation slowly turns into something quieter and more unsettling. A story about memory, grief, and the fragile line between reality and what we choose to believe.


So far, we’ve completed three shoots, with two still to go.


We’ve filmed through rain, wind, exhaustion, and long nights that tested everyone involved. And yet, the cast and crew never wavered. They showed up every time with heart, patience, and trust.


By the end of Day One, I was exhausted, emotional, and incredibly proud. By the end of Days Two and Three, I knew we were making something special.


This will be Imoria Pictures’ ninth film, and it feels like a turning point. Not just creatively, but personally. A reminder that stepping away doesn’t mean the fire is gone. Sometimes it just needs the right moment to come back.




LITTLEFOOT


Reimagining a childhood, frame by frame


If 2025 had a heartbeat, it was LITTLEFOOT.


This project has been years in the making. Not as a remake. Not as a parody. But as a love letter to The Land Before Time and the emotions it gave so many of us growing up.


Grief. Hope. Family. Fear. Gentleness.


We made a conscious decision not to chase hyper-realism. Instead, we leaned into stylisation, expressiveness, and emotional clarity. Every texture, movement, and silhouette was designed to feel timeless rather than modern.


Over the course of the year, the project grew far beyond what we initially imagined. Characters were refined over more than twelve months. An international animation and VFX team came together. Voice performances were recorded across studios in the UK and the USA. An early animation test unexpectedly went viral. And the project received press coverage, with outlets reaching out to talk about why this story still matters.


All of this happened with no budget, no backing, and no ownership of the original IP. Just belief, collaboration, and a shared desire to bring a little magic back to short films.


LITTLEFOOT will be released for free on YouTube, because that’s where this story belongs. With the people.


We’re still deep in production, with more to share very soon. And honestly, this is only the beginning.



Micro Films, Big Experiments

Alongside our larger projects, 2025 also marked the start of something new.


We launched a monthly micro-film series, challenging ourselves to create fast, contained stories with clear ideas and bold execution. This year included micro films inspired by Stranger Things and Five Nights at Freddy’s.


These weren’t about scale. They were about momentum. About staying playful, experimental, and creatively sharp between larger productions.


That energy is something we’re carrying straight into 2026.




Looking Ahead to 2026

If 2025 was about proving what’s possible without permission, then 2026 is about going further.


More films.

Bigger emotional risks.

Deeper collaborations.

And a continued commitment to telling stories that feel human, handmade, and full of heart.


Imoria Pictures exists because of the people who believe in it. The cast, the crew, the artists, and everyone who’s chosen to follow along rather than wait for something bigger to validate it.


Thank you for being part of this journey.


Let’s make something unforgettable next.



If you want next steps, I can:


  • Tighten this for SEO without ruining the tone

  • Pull out a short homepage version

  • Write a “What’s Coming in 2026” follow-up post

  • Or turn this into a press-ready studio statement


 
 
 
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